I wrote a draft of this post two years ago (March 2015) in my notebook, but only now that I have edited it and posted it online. I have avoided making any substantial changes, so that it remains true as much as possible to my thoughts back then.
Album cover of Borther Ali’s Mourning in America: Dreaming in Color – one of my first favorite hip hop albums.
Those who know me personally or have read some of my posts here (Oriental(ist) Metal Music or “Is God really Dead?”) know me as a dedicated heavy metal fan. For 15 years, almost half my life, I listened almost exclusively to heavy metal music (along with few hard and progressive rock bands). I have also been a dedicated concert-goer, sometimes travelling to other countries just to attend a metal band I like. Heavy metal was in fact more than just music for me. It was, for most of these 15 years, an identity and an influence on the way I think and behave. I even wrote my MA thesis, back in 2010, about heavy metal in Syria and for a while I was thinking about doing a PhD in this field. As a faithful metalhead I looked down at all other styles of music, especially hip hop, and bragged how heavy metal surpassed it in sophistication, authenticity, anti-commercialism, and fan-dedication. In fact, two months ago, I would not have been able to name 10 hip hop songs, and if you asked my what was your favorite hip hop song, I would have said Gay Fish.
So after all that to turn to hip hop within less than two months came as a surprise to me personally before anyone else. So I have spent the past two weeks reflecting on this “radical” change and trying to understand how come it ever happened and why hip hop and not any other style of music. What has changed in my life or my environment that helped make this transformation? I will try in this post to give some answers to these questions.
Few days ago three members of the radical feminist group FEMEN disrupted an event of Berlin’s Islamic Week by charging topless into the hall where it was taking place with anti-Islamic slogans painted all over their bodies. A number of policemen seized the women and dragged them outside, while the event proceeded as scheduled. The question that I would like to answer in this post is whether this act of protest, provocative as it may be, constitutes a legitimate exercise of freedom of expression or simply a form of hate speech. I’m not concerned here with the method of protest, but the language used.
Last Thursday (Halloween 2013) I finally decided to watch World War Z—one of the biggest movie productions of 2013, featuring Brad Pitt in the leading role. It is a zombie movie, so it kind of fits Halloween day, but that was a pure coincidence. I neither care about Halloween nor Zombie movies. When the film was being shown in local cinemas here in Leipzig a couple of months ago, a friend of mine suggested that we go together to see it, but I objected strongly on the grounds that it seemed very silly. This was confirmed later by one of my flatmates who described the movie as a debacle. Later, another flatmate of mine watched it and described it as too bad to the extent it is funny. This has aroused my curiosity, but not enough to bother watching it until I watched World War Zimmerman—the third episode of the new season of South Park—in which World War Z is bitterly ridiculed. I thought then that I must watch this film. The day before yesterday, which happened to be Halloween, I stayed in bed all day long because of being sick, so I had enough time to watch two movies—one of them was World War Z.
The film turned up to be very bad indeed, but, unfortunately, not to the extent it was funny, as my second flatemate had claimed before. From a cinematic perspective, I have nothing interesting to say about the film. It is simply a bad movie, and I don’t recommend it to anyone. World War Z, however, is not only cinematically bad, but also politically, and this is what I am going to talk about in this article.